To topple the Stalinist bureaucracy

Reconsidering Leon Trotsky's _The Revolution Betrayed_

To topple the Stalinist bureaucracy
In his still unrivalled 1930 History of the Russian Revolution, Leon Trotsky celebrated the type of Marxist revolutionaries who, under Vladimir Lenin’s leadership, carried out the October 1917 insurrection in Petrograd. “Bolshevism created the type of authentic revolutionist,” he recalled, “who subordinates to historic goals irreconcilable with contemporary society the conditions of his personal existence, his ideas, and his moral judgments. The necessary distance from bourgeois ideology was kept in the party by a vigilant irreconcilability whose inspirer was Lenin. [Read More]

Theater Review: Nicholas Hytner, Young Marx. London: Bridge Theatre, 2017.

Theater Review: Nicholas Hytner, Young Marx. London: Bridge Theatre, 2017.
First published on Le Grand Continent on January, 22nd 2018.1 Young Marx is a production at the end of history. It is a production led by a Marx whose ideas are parodied, whitewashed, and made to seem out of touch with contemporary reality. The play begins with Marx chastising a pawnbroker for not knowing the difference between use-value and exchange-value. Later, this Marx sits writing in his Soho rooms with the maid he’s got pregnant, his wife, and Engels – and when he says things like “alienation,” it is Engels, who responds, straight-faced, “alienation – good word”. [Read More]

Intergalactic mutant music

The music of Christian Wolff and the politics of '68

Intergalactic mutant music
Jim Igor Kallenberg was a dramaturg at the festival for contemporary music Wien Modern, which this year covered the 50th anniversary of 1968. In this capacity, he spoke with the composer Christian Wolff who wrote a new piece for this years edition of the festival. Christian Wolff is a centeral figure in New Music history and significant especially for the music that developed around 1968 – together with his friends and colleagues John Cage, Frederic Rzewski, Cornelius Cardew, Morton Feldman, and others in the U. [Read More]

Film Review: Pierre Schoeller, _Un peuple et son roi_. Paris: Archipel 35, 2018.

Film Review: Pierre Schoeller, _Un peuple et son roi_. Paris: Archipel 35, 2018.
2018 HAS BEEN A YEAR OF COMMEMORATION and confusion for the French Left. The fiftieth anniversary of May ‘68 has been marked by museums exhibitions, book launches, and quaintly nostalgic demonstrations, leaving the anniversary proceedings as less a reckoning than a leftist-version of Woodstock II. Meanwhile, though the political Left has steadfastly sought to channel the spirit of the ‘68, they do so without the actual means or infrastructure to back up such a movement: 50 years ago, 8,000,000 took to the streets; today, barely 120,000 participants could be mustered in the Left’s April 19^th^ action against the government. [Read More]