Video Recording
Panelists
Noah Fischer is a Brooklyn-based artist originally from north of San Francisco. He has exhibited kinetic art installations, photographs, and sculpture in New York, Europe, and India. He has also worked collaboratively with the Berlin-based performance group andcompany&Co. Noah initiated Occupy Subways and Occupy Museums in the first weeks of OWS. Noah is the curator of the No-Eyes Viewing Wall at Brooklyn Zen Center.
Maria Byck is a video artist and activist. She was part of the Congress of the Collectives at Flux Factory. With the Occupy Wall Street movement, she has worked on programming RevTalks and the Empowerment and Education Open Forum series, and collaborates with the live streaming media team. She is a member of Occupy Cinema and Occupy Museums. Maria has been a member of the Paper Tiger Television video collective since 2005. She has a Masters in Media Studies from the New School.
Ross Wolfe is a graduate student at the University of Chicago focusing on early Soviet history, Marxism, critical theory, avant-garde art and architecture, contemporary political issues (activism, anticapitalism, environmentalism), and radical utopianism.
Moderated by Chris Mansour.
Description
The Occupy Wall Street movement (OWS) has altered conceptions of the international socio-political environment on the left, and has accordingly sent shock-waves throughout the realm of art and culture. In solidarity with OWS, artists took their work to the streets, creating on-site carnivalesque performances as forms of protest. Artists globally designed posters and logos to collectively construct the aesthetic appeal of the movement, and more significantly, diverse groups of artists organized to “Occupy Museums,” such as the MoMA, the Frick Collection, and New Museum, critiquing them as as “temples of cultural elitism.” Occupy Museums claims that the mainstream art world circuit is complicit in neoliberal capitalism and caters to the interests of the “1%.” Overall, OWS has renewed a sense of political urgency within the art world that has up to now been relegated to the margins. This panel critically investigates the role of art and culture in the Occupy movement, and how OWS has affected the infrastructure of the mainstream art world. What role does art play in the political struggles that OWS seeks to accomplish? In what ways is OWS a resource for creating change in the way art is produced, received, and distributed? These questions, among others, will act as the touchstone for artists and cultural theorists to asses how art and politics affect each other as the OWS continues to take form.