Capital in history

The need for a Marxian philosophy of history of the Left

The following is a talk given at the Marxist-Humanist Committee public forum on The Crisis in Marxist Thought, hosted by the Platypus Affiliated Society in Chicago on Friday, July 25th, 2008. I want to speak about the meaning of history for any purportedly Marxian Left. We in Platypus focus on the history of the Left because we think that the narrative one tells about this history is in fact one’s theory of the present. [Read More]

Obama: Progress in regress

The end of "black politics"

THE ELECTION OF BARACK OBAMA will be an event. But it has proven confusing for most on the “Left,” who claim to want to overcome anti-black racism and achieve social justice. Rejection of Obama on this basis has been as significant as the embrace of his candidacy. There is as much anxiety as hope stirred by Obama, especially regarding the significance of his blackness. For instance, the usually discerning and astute black political scientist and critical intellectual commentator Adolph L. [Read More]

Requiem for the 60s

Response to a boycott of discussion of "40 years of 1968"

THE PLATYPUS AFFILIATED SOCIETY in Chicago, in coordination with several chapters of the new Students for a Democratic Society (SDS) in Chicago (at the University of Chicago, the School of the Art Institute of Chicago, and Columbia College, Chicago) organized a public forum on “40 years of 1968: the problematic drama of the past in the present,” scheduled for the evening of Thursday, May 8 downtown at the School of the Art Institute. [Read More]

Jeff Wall: The Return of the Modern? (a Review)

ONE OF THE HIGHLIGHT EXHIBITIONS of the summer of 2007 in Chicago was The Art Institute’s retrospective exhibition on the work of Jeff Wall. This occasion marked the first time that the Art Institute exhibited a solo show of a photographer. Jeff Wall’s large-scale color transparencies, mounted in light boxes, covered the same walls that have previously displayed Rembrandts, Girodets, and Manets. The exhibition provided the opportunity to reconsider the present condition of photography as art. [Read More]