American Communist Party

IN HIS 1932 NOVEL BANJO, the radical black intellectual Claude McKay portrays the vibrancy of black cosmopolitanism in the French port city of Marseilles in the decade following the end of World War I. McKay’s characters – boys of the docks, mendicants, and drifters – grapple with the racism of the wider society, while in their relations to one another live beyond race’s narrowness. One in particular, the novel’s protagonist, an itinerant intellectual named Ray, is driven by French police brutality to reflect on the reality of his race. [Read More]

Urbana-Champaign, IL: University of Illinois Press, 2009. It was not the economics of Communism, nor the great power of trade unions, nor the excitement of underground politics that claimed me; my attention was caught by the similarity of workers in other lands, by the possibility of uniting scattered but kindred peoples into a whole. —Richard Wright, Black Boy RANDI STORCH’S RED CHICAGO takes to task prevailing caricatures of American Communism during the so-called “Third Period” of the late twenties and early thirties, a period in the history of American Communism frequently criticized for its growing ideological rigidity, its organizational Stalinization, and its ultimate failure to revitalize the flagging world revolution and to check the threat of fascism. [Read More]