Communist League of America

IN HIS 1932 NOVEL BANJO, the radical black intellectual Claude McKay portrays the vibrancy of black cosmopolitanism in the French port city of Marseilles in the decade following the end of World War I. McKay’s characters – boys of the docks, mendicants, and drifters – grapple with the racism of the wider society, while in their relations to one another live beyond race’s narrowness. One in particular, the novel’s protagonist, an itinerant intellectual named Ray, is driven by French police brutality to reflect on the reality of his race. [Read More]