I am writing with some very brief notes on the 3rd part of Lukács’s essay “Reification and the Consciousness of the Proletariat,” “The Standpoint of the Proletariat,” which is very important for Platypus’s grasp of the self-understanding of the revolutionary Marxism in 1917-19 that Lukács was trying to theoretically digest.—In a certain sense, this piece by Lukács is the culmination of all the prior readings we have done by Luxemburg, Lenin, Trotsky, Lukács and Korsch.
[Read More]
notes on Feb. 15 reading Korsch "Marxism and Philosophy" (1923)
‘[Humanity] always sets itself only such problems as it can solve; since, looking at the matter more closely it will always be found that the problem itself arises only when the material conditions for its solution are already present or are at least understood to be in the process of emergence’ [Marx, Preface to A Contribution to the Critique of Political Economy (1859)]. This dictum is not affected by the fact that a problem which supersedes present relations may have been formulated in an anterior epoch.
[Read More]
Obama and Clinton
"Third Way" politics and the "Left"
FOR THE “LEFT” that is critical of him, the most common comparison made of Obama is to Bill Clinton.
This critique of Obama, as of Clinton, denounces his “Centrism,” the trajectory he appears to continue from the “new” Democratic Party of the Democratic Leadership Council (DLC) expressed by Clinton and Gore’s election in 1992. Clinton’s election was seen as part of the triumph of “Third Way” politics that contemporaneously found expression in Tony Blair’s “New” Labour Party in Britain.
[Read More]
To the victor, the spoils
Review of Artforum's May 2008 issue May '68'
We succeeded culturally. We succeeded socially. And we lost politically… I always say: ‘thank God!’
—Daniel Cohn-Bendit in interview on 1968, conducted by Yascha Mounk for The Utopian (2008)
[O]ne asks with whom the adherents of historicism actually empathize. The answer is inevitable: with the victor… Whoever has emerged victorious participates to this day in the triumphal procession in which the present rulers step over those who are lying prostrate.
[Read More]
Walter Benjamin
WALTER BENJAMIN OCCUPIES a unique place in the history of modern revolutionary thought: he is the first Marxist to break radically with the ideology of progress. His thinking has therefore a distinct critical quality, which sets him apart from the dominant and “official” forms of historical materialism, and gives him a formidable methodological superiority.
This peculiarity has to do with his ability to incorporate into the body of Marxist revolutionary theory insights from the Romantic critique of civilization and from the Jewish messianic tradition.
[Read More]
The science that wasn't
The orthodox Marxism of the early Frankfurt School and the turn to Marxist Critical Theory
FROM THEIR CANONIZATION in the 1960s through their appropriation by postmodernism in the 1980s, the writings of the Frankfurt School have had their Marxian dimension minimized, vulgarized and ultimately ignored. Walter Benjamin, Theodor Adorno, Herbert Marcuse and Max Horkheimer, the only names of the Frankfurt Institute of Social Theory’s roster that seem to be remembered today, have instead become characterized as anything from old-timey liberals to mystical eclectics; from Left Hegelian hippies to ivory tower elitists.
[Read More]
The Left is dead! Long live the Left!
Vicissitudes of historical consciousness and possibilities for emancipatory social politics today
The tradition of all dead generations weighs like a nightmare on the brains of the living.
—Karl Marx, The 18th Brumaire of Louis Napoleon (1852)
The theorist who intervenes in practical controversies nowadays discovers on a regular basis and to his shame that whatever ideas he might contribute were expressed long ago – and usually better the first time around.
—Theodor W. Adorno, “Sexual Taboos and the Law Today” (1963)
[Read More]
Review: "The Common Sense"
MY FIRST IMPRESSION UPON ENTERING Haseeb Ahmed’s installation, “The Common Sense,” which opened at Around the Coyote Gallery on September 5th was one of open space. It was an openness that contrasted sharply with the hundreds of paintings, photographs, sculptures that cluttered the rest of the many other galleries that opened that Night in Wicker Park’s FlatIron Building. Such a contrast pointed out the fact that, more a piece of interior architecture than a collection of installed objects, the central element to be experienced in Ahmed’s installation was space itself.
[Read More]