Jeff Wall: The Return of the Modern? (a Review)

ONE OF THE HIGHLIGHT EXHIBITIONS of the summer of 2007 in Chicago was The Art Institute’s retrospective exhibition on the work of Jeff Wall. This occasion marked the first time that the Art Institute exhibited a solo show of a photographer. Jeff Wall’s large-scale color transparencies, mounted in light boxes, covered the same walls that have previously displayed Rembrandts, Girodets, and Manets. The exhibition provided the opportunity to reconsider the present condition of photography as art. [Read More]

Review: "La Commune"

IN 1871 THE PARIS COMMUNE, a revolutionary body formed during the deep unrest following France’s defeat in the Franco-Prussian war, rose against the post-war provisional government of Adolphe Thiers and briefly held power in France. Two months after it took power, the Commune was brutally suppressed by the French army. In his film “La Commune,” released in 2002, director Peter Watkins orchestrated and documented a theatrical re-enactment of the Commune. At nearly six hours, the film explores the events of the Commune as well as its relevance for the present, and in so doing it is compelled to negotiate the myriad ways in which history bears on the present. [Read More]