30 years of the Islamic Revolution in Iran

Given the recent election crisis and continuing protests in Iran and in light of the 30th anniversary of the Islamic Revolution, The Platypus Affiliated Society on November 5, 2009 hosted a panel discussion at the University of Chicago entitled 30 Years of the Islamic Revolution: The Tragedy of the Left. Panel participants included Danny Postel, journalist and author of Reading Legitimation Crisis in Tehran: Iran and the Future of Liberalism; Kaveh Ehsani, editor of The Middle East Report (MERIP); Maziar Behrooz, historian and author of Rebels with a Cause: The Failure of the Left in Iran; and Chris Cutrone of Platypus. [Read More]

Teach-in: The Failure of the Islamic Revolution

Teach-in: The Failure of the Islamic Revolution
Join Platypus members this Wednesday, February 17th for a teach-in on the Iranian Revolution and a discussion on the current situation in Iran led by Platypus Review editor Pam C. Nogales C. This event will be held at the [New School, ] Undoubtedly, the Left today should demand the overthrow of theocratic regimes; the regime of the Islamic Republic of Iran is no exception. However, how the regime is overthrown, who participates in this act and how they understand their political practice, has irreversible effects. [Read More]

2001

The Decline of the Left in the 20th Century: Toward a Theory of Historical Regression

2001
ON APRIL 18, 2009, the Platypus Affiliated Society conducted the following panel discussion at the Left Forum Conference at Pace University in New York City. The panel was organized around four significant moments in the progressive separation of theory and practice over the course of the 20th century: 2001 (Spencer A. Leonard), 1968 (Atiya Khan), 1933 (Richard Rubin), and 1917 (Chris Cutrone). The following is an edited transcript of the 2001 presentation by Spencer A. [Read More]

Persepolis and the personal consequences of failure

PERSEPOLIS IS A FILM that does not take itself seriously enough. This is not a comment on the unadorned animation style. Nor am I referring to the narrative of the protagonist: a story of a girl raised in a left-wing milieu that succeeds in arousing quite a bit of empathy in the audience. It is the film’s treatment of depoliticization as a fait accompli and its persistent retreat to the safety of the personal that make it a fascinating symptom of politics today. [Read More]